DANEK:
Been on this Site for awhile now. Thought I would get to this.
First allow me to introduce myself fully and explain exactly WHY I chose the Dawi Zharr for my most recent project.
I haven’t played fantasy in years. I’ve mainly been involved in 40K. Those who also play 40K may recognise me from the B&C (where I’m known as ][Danek][) or even from my own site, The Night Lords Forums, where I go by Knightmare.
Some time ago, I began to suffer from burnout, and an all around artistic block. My Night Lords (for the time being) had run their course, and I grew weary of bolters and the trappings of 40K in general.
I needed a change, and I needed a challenge at the same time.
Fantasy was the logical choice. Initially I considered the Druchii, but TBH I find the majority of the models lacking. The same went for a Slayer army. Besides the Doomseekers and a few other sculpts, I think they look horrible and cartoony.
Then I stumbled upon the Hellcannon in my catalogue, and remembered how impressed I was with it and the crew when they were released during the SoC. Looking into updated info on the Dawi Zharr intrigued me, and I was set. The mental image of these cold, rational monsters was too much to resist.
As an artist, I saw the chance to expand my skills. Here was the exact opposite of what I grew comfortable with. The chance to experiment with warm, earthy tones appealed to me.
Finally, I found them fascinating because I could relate to them more than any other army. I could bring my real life knowledge to use in them. Let me explain that.
I live in Tucson, Arizona. A dry, blisteringly hot place. triple digit temps are common here.
On top of that, I work in a factory. Without going into details too much, we make expansion joints and flanges for Nuclear Power Plants and Hydro-Electric systems. My place of work is, quite simply, the real world equivalent of the “industrial hell” that the Dawi Zharr inhabit.
Massive furnaces that reach 600 degrees farenheit, well-worn tools used by filthy sweating men, and tons of tarnished metal.
In the Dawi Zharr, I hope to translate the truths of factory work to my art.
That’s all for now. Up next I’ll discuss my “check list” of things to touch upon in my project, in regards to how Aesthetics and Fluff will mesh together, and how I view the Dawi Zharr.